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Perhaps jazz music best exemplifies the lyrical nature of instrumental music, as the instrumental solos "stand in' for actual singers. Yet the jazz spirit is not bound to a single genre--as in the truism, the definition of jazz is that it defies definition. In "Songs without Words", Mr. Waldram makes music in which he uses his Les Paul Epiphone replica guitar to visit places usually visited by synthesizers and sequencers. The music ranges from the slow-drive tones of "Elements" to the gentle ambience of "Elegy" and "Rowing Toward Hope" (the latter is a collaboration with Gurdonark). The old song posited a kind of meaninglessness in songs that "ain't got that swing". We posit instead that the meaning in music involves taking the old beats and the old swings and putting them into songs without words. The lyrics are in the sounds of a gently pulsing guitar. What are the things we say when we write instrumental songs? They cannot be written out as one sentence, or even as one page. The song's "speaker" and its listeners hear different words. In "Songs without Words" Simon Waldram provides a rich palette of paints for the listener to use to fingerpaint her or his own destiny and story. Too often music is described as "experimental" or "abstract', but in the release of "Songs without Words', let us praise music which helps the listener find her or her own narrative in its sounds.
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